What the Beatles were to the '60s, Led Zeppelin were to the '70s: a band so successful and innovative they wound up creating the prism through which their entire epoch was seen. Zeppelin ushered in the era of album rock — they refused to release singles off their albums, even when they were garnering massive radio play — and of arena rock, playing ever-larger stadiums as their ticket sales skyrocketed. Other bands played on a similar field but Led Zeppelin carried a unique mystique cultivated by cryptic album art, distance from the press, and, of course, their music. Drawing upon postwar electric blues, early rock & roll, and psychedelia, Zeppelin created a titanic roar in their earliest days but even then they weren't merely heavy. Underneath the wattage, there was a strong undercurrent of folk-rock and the quartet would soon thread in world music, funk, country, and synthesizers, creating an adventurous body of work that had a long, lasting influence on hard rock, heavy metal, and alternative rock.
Quite a feat for a band whose origins lie in the ashes of the pioneering British rock band the Yardbirds. Jimmy Page, a guitarist who made his reputation as a session man in the '60s, joined the band in 1966, functioning as the replacement for bassist Paul Samwell-Smith, but he soon split lead guitar duties with Jeff Beck and took over that position entirely once Beck departed. Page contributed heavily to the band's final album, 1967's Little Games, which also saw contributions from John Paul Jones, a bassist and string arranger who also ran in the same studio circles as Page; the two played on Beck's 1966 single "Beck's Bolero," which also featured Keith Moon. Under the direction of their new manager Peter Grant, the Yardbirds supported the album with a tour of the United States, but the group was in its final days. Just before the band's dissolution, Page filled the time with session work, including a spring 1968 session where he played on Jones' arrangement of Donovan's "Hurdy Gurdy Man." During the sessions, Jones requested to be part of any future project of Page's. This future project materialized quickly. In the summer of 1968, the Yardbirds' Keith Relf and James McCarty left the band, leaving Page and bassist Chris Dreja with the rights to the name, along with the obligation of fulfilling an upcoming fall tour. Page set out to find a replacement vocalist and drummer. Initially, he wanted to enlist singer Terry Reid and Procol Harum's drummer B.J. Wilson, but neither musician was able to join the group. Reid suggested that Page contact Robert Plant, who was singing with a band called Hobbstweedle.

Remastered Albums list:
The Song Remains the Same (Live) [Remastered]
The Complete Led Zeppelin (Remastered)
Presence (Remastered)
Mothership (Remastered)
In Through the Out Door (Remastered)
How the West Was Won (Live) [Remastered]
Coda (Remastered)
BBC Sessions (Live) [Remastered]

Mastered for iTunes
Albums list:
Presence (Deluxe Edition)
Presence
Physical Graffiti
Led Zeppelin IV
Led Zeppelin III
Led Zeppelin II
Led Zeppelin
In Through the Out Door (Deluxe Edition)
In Through the Out Door
Houses of the Holy
Coda
https://itunes.apple.com/us/artist/led-zeppelin/id994656